Politics is corrupt theater. Actors set the mood, and
some members of the audience have their pockets picked.
Exhibit A is President Bushs surprise trip to
Baghdad on Thanksgiving. Whats important is not the
secrecy or the collusion by anointed members of the news
media. Its the use of soldiers as props to amplify
the big lie, namely, that the mission in Iraq is relevant
to the security of Americans. This is a president whose
administration is always looking for footage for campaign
commercials. Remember when he donned a flight suit for
the photo op on the USS Abraham Lincoln? That was
the day he declared an end to major combat operations in
Iraq. So why was it reported that on Thanksgiving Bush
flew into a war zone? And this is the
president who, when he spoke in England, had a designer
backdrop studded with the words United
Kingdom. That wasnt for the benefit of the
Britons.
So lunch with the troops in Baghdad was just the latest
move in the perpetual campaign. He met with no Iraqis;
they are merely the liberated, that is,
occupied.
It was pure theater, which is to say, mood-setting and
emotional button-pushing. This is nothing new in
politics, and it would be unjust to credit Bush with
creating it. Funny thing is that when his predecessor did
such things, Bush fans went apoplectic and for
good reason.
To say that politics is theater is to say that it is
superficial. The debates between candidates and parties,
both formal and informal, are shallow and confined to
minor details. (See the recent Medicare tussle.) What
takes center stage is the competition between
personalities, especially the ability to create certain
feelings in voters. In the end most people select a
candidate on the basis of whether he or she makes them
feel safe about the future. They know better than to take
campaign promises seriously. Bush promised to be vigilant
about government spending, to eschew nation-building, and
to effect a foreign policy of humility. What
did the country get? The biggest spender in decades who
has yet to veto an appropriations bill, the most
confounding nation-building project in American history,
and a strategic doctrine of offensive
(preventive) war. If a private company made
false promises on such a scale it would go out of
business.
Why do people allow this to happen? Because they are
powerless to prevent it. Despite the humbug about the
glories of democracy, most people realize that,
individually, they have no chance of casting a decisive
vote. When was the last time an election outcome would
have been different had you stayed home (or not stayed
home)? Since no one voter makes a difference, no one has
an incentive to take his vote seriously. People may
protest that they do indeed take their votes seriously,
but imagine that a genie granted your wish that whoever
you vote for in the 2004 presidential election will win.
I believe you would prepare for that election far
differently from how youll prepare for the actual
one.
Economists call this rational ignorance.
Think of what it would take you, a busy person making a
living and perhaps raising kids, to become really
knowledgeable about the things a president (or
congressman) has to deal with. Who has that kind of time?
Who is able to read the federal budget and
understand it? Members of Congress dont.
Since regular people cannot devote themselves to such
research and since, even if they did, their one vote
would be no more potent than an ignorant vote, they
substitute a proxy for knowledge about issues: the mood
created by the candidates.
Thus the skills rewarded in politics are not related to
knowledge, wisdom, or even administrative prowess.
Thespian skills are what win. The only uncertainty is
over which mood the voters are looking for this time.
Sheldon Richman is senior fellow at The Future of Freedom Foundation, author of Tethered Citizens: Time to Repeal the Welfare State, and editor of Ideas on Liberty magazine. Send him email.
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